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As old favorites Skinner and Baddiel used to say in football’s finest TV show ever, ‘here are a few things we noticed while watching football this week’. In the same direction I have noticed this; what in the world has happened to my favorite role in football? Having always had a passion for the beautiful game on the continent, I grew up looking forward to James Richardson’s cheeky adjectives one Saturday morning with Gazzetta Football Italia on Channel 4.

I went to Calico from the start of the stations’ weekly broadcast (mostly provoked by Paul Gascoigne’s move to Southern Europe) when Gazza’s new side Lazio lost in a 5-3 thriller to the then conquering Milan on the opening day of the 1993/94 Series. A season I was already hooked on this seemingly ‘boring’ football brand. In any case, it soon became clear that Italian sides, and later I would realize that this was the case on much of the continent; everyone had a ‘number 10’. The first to catch my attention was the great Roberto Baggio, then Juventus. The divine ponytail (which he was nicknamed by fans) would run in and out of the game, apparently at his own whim, and played the game as if he were painting a picture.

It looked like he almost saw the game as a spectator on the pitch, only ‘getting involved’ when he saw that the match required his presence when it had to be lifted to a higher level. As my football education progressed, I discovered that Turin’s favorite son was not alone. Milan had Gullit, Sampdoria had Mancini. Further afield were Gheorghe Hagi, Hristo ดูบอล, Ariel Ortega. Ridiculously talented individuals who controlled the game, connecting midfield and attack, both creating and scoring goals. They were the icons of their clubs and countries. And this trend continued during the nineties, until more recently something seems to have changed this.

Players who had previously given the freedom to walk in the park are now placed in more rigid formations, possibly to the extent that the idea of ​​the ‘free role’ is almost dead. Take Barcelona as a good example. Ten years ago, the string puller on the side would have been the great Ronaldinho. He would have put in wherever he saw fit, and exercised his magic as he saw fit. But fast forward to today and you will find the Brazilian out on the left wing and football is dictated entirely from another source.

Seeing the Catalan giants over the last year or so, and it has become clear that it is Deco who is actually controlling the pace, the masterminds piece, and from where? He sits deep in midfield, almost the same position as you find an enforcer like Claude Makalele at Chelsea. Ronaldinho may be the magic, but Deco is the brains.

If we go back to where we started in Italy, we visit Milan and see a similar trend. Although, like Barcelona, ​​they have a magician in the form of Riccy Kaka ‘, they also have a conductor through Andrea Pirlo. Kaka ‘has found himself employed broadly to the right, left and as a center forward as Ancellotti tries to bring a structure to rossinieri. When I lived on this inactivity, it dawned on me that this has been in the water for some time.

As old favorites Skinner and Baddiel used to say in football’s finest TV show ever, ‘here are a few things we noticed while watching football this week’. In the same direction I have noticed this; what in the world has happened to my favorite role in football? Having always had a passion for the beautiful game on the continent, I grew up looking forward to James Richardson’s cheeky adjectives one Saturday morning with Gazzetta Football Italia on Channel 4.

I went to Calico from the start of the stations’ weekly broadcast (mostly provoked by Paul Gascoigne’s move to Southern Europe) when Gazza’s new side Lazio lost in a 5-3 thriller to the then conquering Milan on the opening day of the 1993/94 Series. A season I was already hooked on this seemingly ‘boring’ football brand. In any case, it soon became clear that Italian sides, and later I would realize that this was the case on much of the continent; everyone had a ‘number 10’. The first to catch my attention was the great Roberto Baggio, then Juventus. The divine ponytail (which he was nicknamed by fans) would run in and out of the game, apparently at his own whim, and played the game as if he were painting a picture.

It looked like he almost saw the game as a spectator on the pitch, only ‘getting involved’ when he saw that the match required his presence when it had to be lifted to a higher level. As my football education progressed, I discovered that Turin’s favorite son was not alone. Milan had Gullit, Sampdoria had Mancini. Further afield were Gheorghe Hagi, Hristo Stoichkov, Ariel Ortega. Ridiculously talented individuals who controlled the game, connecting midfield and attack, both ดูบอล and scoring goals. They were the icons of their clubs and countries. And this trend continued during the nineties, until more recently something seems to have changed this.

Players who had previously given the freedom to walk in the park are now placed in more rigid formations, possibly to the extent that the idea of ​​the ‘free role’ is almost dead. Take Barcelona as a good example. Ten years ago, the string puller on the side would have been the great Ronaldinho. He would have put in wherever he saw fit, and exercised his magic as he saw fit. But fast forward to today and you will find the Brazilian out on the left wing and football is dictated entirely from another source.

Seeing the Catalan giants over the last year or so, and it has become clear that it is Deco who is actually controlling the pace, the masterminds piece, and from where? He sits deep in midfield, almost the same position as you find an enforcer like Claude Makalele at Chelsea. Ronaldinho may be the magic, but Deco is the brains.

If we go back to where we started in Italy, we visit Milan and see a similar trend. Although, like Barcelona, ​​they have a magician in the form of Riccy Kaka ‘, they also have a conductor through Andrea Pirlo. Kaka ‘has found himself employed broadly to the right, left and as a center forward as Ancellotti tries to bring a structure to rossinieri. When I lived on this inactivity, it dawned on me that this has been in the water for some time.

As old favorites Skinner and Baddiel used to say in football’s finest TV show ever, ‘here are a few things we noticed while watching football this week’. In the same direction I have noticed this; what in the world has happened to my favorite role in football? Having always had a passion for the beautiful game on the continent, I grew up looking forward to James Richardson’s cheeky adjectives one Saturday morning with Gazzetta Football Italia on Channel 4.

I went to Calico from the start of the stations’ weekly broadcast (mostly provoked by Paul Gascoigne’s move to Southern Europe) when Gazza’s new side Lazio lost in a 5-3 thriller to the then conquering Milan on the opening day of the 1993/94 Series. A season I was already hooked on this seemingly ‘boring’ football brand. In any case, it soon became clear that Italian sides, and later I would realize that this was the case on much of the continent; everyone had a ‘number 10’. The first to catch my attention was the great Roberto Baggio, then Juventus. The divine ponytail (which he was nicknamed by fans) would run in and out of the game, apparently at his own whim, and played the game as if he were painting a picture.

It looked like he almost saw the game as a spectator on the pitch, only ‘getting involved’ when he saw that the match required his presence when it had to be lifted to a higher level. As my football education progressed, I discovered that Turin’s favorite son was not alone. Milan had Gullit, Sampdoria had Mancini. Further afield were Gheorghe Hagi, Hristo Stoichkov, Ariel Ortega. Ridiculously talented individuals who controlled the game, connecting midfield and attack, both creating and ดูบอล goals. They were the icons of their clubs and countries. And this trend continued during the nineties, until more recently something seems to have changed this.

Players who had previously given the freedom to walk in the park are now placed in more rigid formations, possibly to the extent that the idea of ​​the ‘free role’ is almost dead. Take Barcelona as a good example. Ten years ago, the string puller on the side would have been the great Ronaldinho. He would have put in wherever he saw fit, and exercised his magic as he saw fit. But fast forward to today and you will find the Brazilian out on the left wing and football is dictated entirely from another source.

Seeing the Catalan giants over the last year or so, and it has become clear that it is Deco who is actually controlling the pace, the masterminds piece, and from where? He sits deep in midfield, almost the same position as you find an enforcer like Claude Makalele at Chelsea. Ronaldinho may be the magic, but Deco is the brains.

If we go back to where we started in Italy, we visit Milan and see a similar trend. Although, like Barcelona, ​​they have a magician in the form of Riccy Kaka ‘, they also have a conductor through Andrea Pirlo. Kaka ‘has found himself employed broadly to the right, left and as a center forward as Ancellotti tries to bring a structure to rossinieri. When I lived on this inactivity, it dawned on me that this has been in the water for some time.

As old favorites Skinner and Baddiel used to say in football’s finest TV show ever, ‘here are a few things we noticed while watching football this week’. In the same direction I have noticed this; what in the world has happened to my favorite role in football? Having always had a passion for the beautiful game on the continent, I grew up looking forward to James Richardson’s cheeky adjectives one Saturday morning with Gazzetta Football Italia on Channel 4.

I went to Calico from the start of the stations’ weekly broadcast (mostly provoked by Paul Gascoigne’s move to Southern Europe) when Gazza’s new side Lazio lost in a 5-3 thriller to the then conquering Milan on the opening day of the 1993/94 Series. A season I was already hooked on this seemingly ‘boring’ football brand. In any case, it soon became clear that Italian sides, and later I would realize that this was the case on much of the continent; everyone had a ‘number 10’. The first to catch my attention was the great Roberto Baggio, then Juventus. The divine ponytail (which he was nicknamed by fans) would run in and out of the game, apparently at his own whim, and played the game as if he were painting a ดูบอล.

It looked like he almost saw the game as a spectator on the pitch, only ‘getting involved’ when he saw that the match required his presence when it had to be lifted to a higher level. As my football education progressed, I discovered that Turin’s favorite son was not alone. Milan had Gullit, Sampdoria had Mancini. Further afield were Gheorghe Hagi, Hristo Stoichkov, Ariel Ortega. Ridiculously talented individuals who controlled the game, connecting midfield and attack, both creating and scoring goals. They were the icons of their clubs and countries. And this trend continued during the nineties, until more recently something seems to have changed this.

Players who had previously given the freedom to walk in the park are now placed in more rigid formations, possibly to the extent that the idea of ​​the ‘free role’ is almost dead. Take Barcelona as a good example. Ten years ago, the string puller on the side would have been the great Ronaldinho. He would have put in wherever he saw fit, and exercised his magic as he saw fit. But fast forward to today and you will find the Brazilian out on the left wing and football is dictated entirely from another source.

Seeing the Catalan giants over the last year or so, and it has become clear that it is Deco who is actually controlling the pace, the masterminds piece, and from where? He sits deep in midfield, almost the same position as you find an enforcer like Claude Makalele at Chelsea. Ronaldinho may be the magic, but Deco is the brains.

If we go back to where we started in Italy, we visit Milan and see a similar trend. Although, like Barcelona, ​​they have a magician in the form of Riccy Kaka ‘, they also have a conductor through Andrea Pirlo. Kaka ‘has found himself employed broadly to the right, left and as a center forward as Ancellotti tries to bring a structure to rossinieri. When I lived on this inactivity, it dawned on me that this has been in the water for some time.

As old favorites Skinner and Baddiel used to say in football’s finest TV show ever, ‘here are a few things we noticed while watching football this week’. In the same direction I have noticed this; what in the world has happened to my favorite role in football? Having always had a passion for the beautiful game on the continent, I grew up looking forward to James Richardson’s cheeky adjectives one Saturday morning with Gazzetta Football Italia on Channel 4.

I went to Calico from the start of the stations’ weekly broadcast (mostly provoked by Paul Gascoigne’s move to Southern Europe) when Gazza’s new side Lazio lost in a 5-3 thriller to the then conquering Milan on the opening day of the 1993/94 ดูบอล. A season I was already hooked on this seemingly ‘boring’ football brand. In any case, it soon became clear that Italian sides, and later I would realize that this was the case on much of the continent; everyone had a ‘number 10’. The first to catch my attention was the great Roberto Baggio, then Juventus. The divine ponytail (which he was nicknamed by fans) would run in and out of the game, apparently at his own whim, and played the game as if he were painting a picture.

It looked like he almost saw the game as a spectator on the pitch, only ‘getting involved’ when he saw that the match required his presence when it had to be lifted to a higher level. As my football education progressed, I discovered that Turin’s favorite son was not alone. Milan had Gullit, Sampdoria had Mancini. Further afield were Gheorghe Hagi, Hristo Stoichkov, Ariel Ortega. Ridiculously talented individuals who controlled the game, connecting midfield and attack, both creating and scoring goals. They were the icons of their clubs and countries. And this trend continued during the nineties, until more recently something seems to have changed this.

Players who had previously given the freedom to walk in the park are now placed in more rigid formations, possibly to the extent that the idea of ​​the ‘free role’ is almost dead. Take Barcelona as a good example. Ten years ago, the string puller on the side would have been the great Ronaldinho. He would have put in wherever he saw fit, and exercised his magic as he saw fit. But fast forward to today and you will find the Brazilian out on the left wing and football is dictated entirely from another source.

Seeing the Catalan giants over the last year or so, and it has become clear that it is Deco who is actually controlling the pace, the masterminds piece, and from where? He sits deep in midfield, almost the same position as you find an enforcer like Claude Makalele at Chelsea. Ronaldinho may be the magic, but Deco is the brains.

If we go back to where we started in Italy, we visit Milan and see a similar trend. Although, like Barcelona, ​​they have a magician in the form of Riccy Kaka ‘, they also have a conductor through Andrea Pirlo. Kaka ‘has found himself employed broadly to the right, left and as a center forward as Ancellotti tries to bring a structure to rossinieri. When I lived on this inactivity, it dawned on me that this has been in the water for some time.

As old favorites Skinner and Baddiel used to say in football’s finest TV show ever, ‘here are a few things we noticed while watching football this week’. In the same direction I have noticed this; what in the world has happened to my favorite role in football? Having always had a passion for the beautiful game on the continent, I grew up looking forward to James Richardson’s cheeky adjectives one Saturday morning with Gazzetta Football Italia on Channel 4.

I went to Calico from the start of the stations’ weekly broadcast (mostly provoked by Paul Gascoigne’s move to Southern Europe) when Gazza’s new side Lazio lost in a 5-3 thriller to the then conquering Milan on the opening day of the 1993/94 Series. A season I was already hooked on this seemingly ‘boring’ football brand. In any case, it soon became clear that Italian sides, and later I would realize that this was the case on much of the continent; everyone had a ‘number 10’. The first to catch my attention was the great Roberto Baggio, then Juventus. The divine ponytail (which he was nicknamed by fans) would run in and out of the game, apparently at his own whim, and played the game as if he were painting a ดูบอล.

It looked like he almost saw the game as a spectator on the pitch, only ‘getting involved’ when he saw that the match required his presence when it had to be lifted to a higher level. As my football education progressed, I discovered that Turin’s favorite son was not alone. Milan had Gullit, Sampdoria had Mancini. Further afield were Gheorghe Hagi, Hristo Stoichkov, Ariel Ortega. Ridiculously talented individuals who controlled the game, connecting midfield and attack, both creating and scoring goals. They were the icons of their clubs and countries. And this trend continued during the nineties, until more recently something seems to have changed this.

Players who had previously given the freedom to walk in the park are now placed in more rigid formations, possibly to the extent that the idea of ​​the ‘free role’ is almost dead. Take Barcelona as a good example. Ten years ago, the string puller on the side would have been the great Ronaldinho. He would have put in wherever he saw fit, and exercised his magic as he saw fit. But fast forward to today and you will find the Brazilian out on the left wing and football is dictated entirely from another source.

Seeing the Catalan giants over the last year or so, and it has become clear that it is Deco who is actually controlling the pace, the masterminds piece, and from where? He sits deep in midfield, almost the same position as you find an enforcer like Claude Makalele at Chelsea. Ronaldinho may be the magic, but Deco is the brains.

If we go back to where we started in Italy, we visit Milan and see a similar trend. Although, like Barcelona, ​​they have a magician in the form of Riccy Kaka ‘, they also have a conductor through Andrea Pirlo. Kaka ‘has found himself employed broadly to the right, left and as a center forward as Ancellotti tries to bring a structure to rossinieri. When I lived on this inactivity, it dawned on me that this has been in the water for some time.

As old favorites Skinner and Baddiel used to say in football’s finest TV show ever, ‘here are a few things we noticed while watching football this week’. In the same direction I have noticed this; what in the world has happened to my favorite role in football? Having always had a passion for the beautiful game on the continent, I grew up looking forward to James Richardson’s cheeky adjectives one Saturday morning with Gazzetta Football Italia on Channel 4.

I went to Calico from the start of the stations’ weekly broadcast (mostly provoked by Paul Gascoigne’s move to Southern Europe) when Gazza’s new side Lazio lost in a 5-3 thriller to the then conquering Milan on the opening day of the 1993/94 Series. A season I was already hooked on this seemingly ‘boring’ football brand. In any case, it soon became clear that Italian sides, and later I would realize that this was the case on much of the continent; everyone had a ‘number 10’. The first to catch my attention was the great Roberto Baggio, then Juventus. The divine ponytail (which he was nicknamed by fans) would run in and out of the game, apparently at his own whim, and played the game as if he were painting a ดูบอล.

It looked like he almost saw the game as a spectator on the pitch, only ‘getting involved’ when he saw that the match required his presence when it had to be lifted to a higher level. As my football education progressed, I discovered that Turin’s favorite son was not alone. Milan had Gullit, Sampdoria had Mancini. Further afield were Gheorghe Hagi, Hristo Stoichkov, Ariel Ortega. Ridiculously talented individuals who controlled the game, connecting midfield and attack, both creating and scoring goals. They were the icons of their clubs and countries. And this trend continued during the nineties, until more recently something seems to have changed this.

Players who had previously given the freedom to walk in the park are now placed in more rigid formations, possibly to the extent that the idea of ​​the ‘free role’ is almost dead. Take Barcelona as a good example. Ten years ago, the string puller on the side would have been the great Ronaldinho. He would have put in wherever he saw fit, and exercised his magic as he saw fit. But fast forward to today and you will find the Brazilian out on the left wing and football is dictated entirely from another source.

Seeing the Catalan giants over the last year or so, and it has become clear that it is Deco who is actually controlling the pace, the masterminds piece, and from where? He sits deep in midfield, almost the same position as you find an enforcer like Claude Makalele at Chelsea. Ronaldinho may be the magic, but Deco is the brains.

If we go back to where we started in Italy, we visit Milan and see a similar trend. Although, like Barcelona, ​​they have a magician in the form of Riccy Kaka ‘, they also have a conductor through Andrea Pirlo. Kaka ‘has found himself employed broadly to the right, left and as a center forward as Ancellotti tries to bring a structure to rossinieri. When I lived on this inactivity, it dawned on me that this has been in the water for some time.

As old favorites Skinner and Baddiel used to say in football’s finest TV show ever, ‘here are a few things we noticed while watching football this week’. In the same direction I have noticed this; what in the world has happened to my favorite role in football? Having always had a passion for the beautiful game on the continent, I grew up looking forward to James Richardson’s cheeky adjectives one Saturday morning with Gazzetta Football Italia on Channel 4.

I went to Calico from the start of the stations’ weekly broadcast (mostly provoked by Paul Gascoigne’s move to Southern Europe) when Gazza’s new side Lazio lost in a 5-3 thriller to the then conquering Milan on the opening day of the 1993/94 Series. A season I was already hooked on this seemingly ‘boring’ football brand. In any case, it soon became clear that Italian sides, and later I would realize that this was the case on much of the continent; everyone had a ‘number 10’. The first to catch my attention was the great Roberto Baggio, then Juventus. The divine ponytail (which he was nicknamed by fans) would run in and out of the game, apparently at his own whim, and played the game as if he were painting a ดูบอล.

It looked like he almost saw the game as a spectator on the pitch, only ‘getting involved’ when he saw that the match required his presence when it had to be lifted to a higher level. As my football education progressed, I discovered that Turin’s favorite son was not alone. Milan had Gullit, Sampdoria had Mancini. Further afield were Gheorghe Hagi, Hristo Stoichkov, Ariel Ortega. Ridiculously talented individuals who controlled the game, connecting midfield and attack, both creating and scoring goals. They were the icons of their clubs and countries. And this trend continued during the nineties, until more recently something seems to have changed this.

Players who had previously given the freedom to walk in the park are now placed in more rigid formations, possibly to the extent that the idea of ​​the ‘free role’ is almost dead. Take Barcelona as a good example. Ten years ago, the string puller on the side would have been the great Ronaldinho. He would have put in wherever he saw fit, and exercised his magic as he saw fit. But fast forward to today and you will find the Brazilian out on the left wing and football is dictated entirely from another source.

Seeing the Catalan giants over the last year or so, and it has become clear that it is Deco who is actually controlling the pace, the masterminds piece, and from where? He sits deep in midfield, almost the same position as you find an enforcer like Claude Makalele at Chelsea. Ronaldinho may be the magic, but Deco is the brains.

If we go back to where we started in Italy, we visit Milan and see a similar trend. Although, like Barcelona, ​​they have a magician in the form of Riccy Kaka ‘, they also have a conductor through Andrea Pirlo. Kaka ‘has found himself employed broadly to the right, left and as a center forward as Ancellotti tries to bring a structure to rossinieri. When I lived on this inactivity, it dawned on me that this has been in the water for some time.

As old favorites Skinner and Baddiel used to say in football’s finest TV show ever, ‘here are a few things we noticed while watching football this week’. In the same direction I have noticed this; what in the world has happened to my favorite role in football? Having always had a passion for the beautiful game on the continent, I grew up looking forward to James Richardson’s cheeky adjectives one Saturday morning with Gazzetta Football Italia on ดูบอล 4.

I went to Calico from the start of the stations’ weekly broadcast (mostly provoked by Paul Gascoigne’s move to Southern Europe) when Gazza’s new side Lazio lost in a 5-3 thriller to the then conquering Milan on the opening day of the 1993/94 Series. A season I was already hooked on this seemingly ‘boring’ football brand. In any case, it soon became clear that Italian sides, and later I would realize that this was the case on much of the continent; everyone had a ‘number 10’. The first to catch my attention was the great Roberto Baggio, then Juventus. The divine ponytail (which he was nicknamed by fans) would run in and out of the game, apparently at his own whim, and played the game as if he were painting a picture.

It looked like he almost saw the game as a spectator on the pitch, only ‘getting involved’ when he saw that the match required his presence when it had to be lifted to a higher level. As my football education progressed, I discovered that Turin’s favorite son was not alone. Milan had Gullit, Sampdoria had Mancini. Further afield were Gheorghe Hagi, Hristo Stoichkov, Ariel Ortega. Ridiculously talented individuals who controlled the game, connecting midfield and attack, both creating and scoring goals. They were the icons of their clubs and countries. And this trend continued during the nineties, until more recently something seems to have changed this.

Players who had previously given the freedom to walk in the park are now placed in more rigid formations, possibly to the extent that the idea of ​​the ‘free role’ is almost dead. Take Barcelona as a good example. Ten years ago, the string puller on the side would have been the great Ronaldinho. He would have put in wherever he saw fit, and exercised his magic as he saw fit. But fast forward to today and you will find the Brazilian out on the left wing and football is dictated entirely from another source.

Seeing the Catalan giants over the last year or so, and it has become clear that it is Deco who is actually controlling the pace, the masterminds piece, and from where? He sits deep in midfield, almost the same position as you find an enforcer like Claude Makalele at Chelsea. Ronaldinho may be the magic, but Deco is the brains.

If we go back to where we started in Italy, we visit Milan and see a similar trend. Although, like Barcelona, ​​they have a magician in the form of Riccy Kaka ‘, they also have a conductor through Andrea Pirlo. Kaka ‘has found himself employed broadly to the right, left and as a center forward as Ancellotti tries to bring a structure to rossinieri. When I lived on this inactivity, it dawned on me that this has been in the water for some time.

Preparing for your fantasy football draft is one of the most important parts of the entire season. You make decisions on draft day that affect your entire year. Sure, you can trade and use the exception thread to fine-tune your team, but some mistakes made on Draft Day cannot be overcome. Get ready to dominate your league through proper preparation.

ESPN, THE SPORTS NEWS, the NFL and dozens of other entities publish Fantasy Football Guides every year. Every manager has his favorites and there are plenty to choose from. Go to your local bookstore or magazine rack to check the titles, and flip through them to see what they offer. Player interviews are not important and statistics are. A good guide shows the last 3 years statistics for all major players except rookies. It will also list the team’s defensive stats, coaching changes and most importantly a 2009 fantasy football mock draft. This shows an actual round by round draft by Fantasy Football Experts that helps give you an idea of ​​how the Pro Fantasy Football Leaguers think this year will turn out. They will usually also provide articles with insights from FF experts.

Preparation also means watching NFL reports in the offseason, pre-season and all-season long. There are way too many shows and networks to list, but 2 very reliable sources are ESPN all week and ESPN and the NFL outline. These 2 big boys offer streaming videos, daily and weekly updates and FF-specific news that are very necessary to say the least. Far back in 1991, my first FF season, I pulled Vance Johnson, WR, to Denver, even though he was lying on his back in a hospital at the time. I did not perform my due diligence and wasted a Draft Day choice because of it.

You should also watch as many pre-season games as possible. Now you have a real excuse for your spouse when you say you’re going to the sports bar to watch football all day – research. I watched a couple of Philadelphia Eagles pre-season games last year and noticed that rookie WR DeSean Jackson had serious wheels and just enough of a fat “I hear here” ดูบอล to keep an eye on. I wrote him late and got incredible value.

Okay, so you bought a Fantasy Football Guide, you check regular updates on your computer, and you see enough Pre-Season games to get you divorced. Now you need to be intimate with your scoring system, so next time is “Fantasy Football For Beginners – Lesson 3 – Know Your Scoring System.”